![]() Awesome Music: Keiichi Okabe does a wonderful job with the very well-received score, though the following tracks stand out:. ![]() 'What do you mean, Demo?' Well, for one, many and most people are going to pick this game up for its story, and when you can reach the credits of a story with a completely unrelatable main character, who does nothing but - spoiler - murder nice people, with motivations fueled seemingly by nothing but lust and power, and call that 'Ending A,' even though half the game's content is locked past that threshold, guess what? That's where a lot of reviewers are going to stop, and draw their conclusions, and give a final score, and have a bunch of people read it and go 'Oh, that sounds dumb,' and not buy your fucking game. Yoko Taro, I love you, but sometimes it feels like you derive pleasure from hurting your own sales. Consequently, the game was a rather awful seller. The game's link to its predecessors (which were never very successful to begin with) is also very loose, only revealing itself very late in, which causes it to seem In Name Only at first.
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